Myter og legender fortalt som skønlitteratur

Pubblicata per la prima volta nel 1861, "L’uomo di neve" è una delle fiabe più note – nonché più struggenti – del grande Hans Christian Andersen. Un pupazzo di neve si innamora di una stufa, osservandola tutte le notti dall’esterno della casa. Unico suo confidente è un cane, con cui il pupazzo riesce magicamente a comunicare e che, alla fine, intuirà la natura di un amore così bizzarro e, a conti fatti, decisamente impossibile. Attraversata da un forte senso di malinconia, la fiaba è ancora oggi un’opera dal valore narrativo inestimabile, resa ancora più dolce dall’ottima lettura che ne fa Francesca Sarah Toich.Hans Christian Andersen (1805-1875) nasce a Odense da una famiglia poverissima, ma esprime fin dalla prima infanzia un profondo interesse per il teatro e per le leggende tradizionali. A quattordici anni si reca a Copenaghen, dove fa i lavori più disparati coltivando il sogno di diventare attore. Sarà l’incontro fortuito col re di Danimarca, Federico VI, a cambiare per sempre il corso della sua esistenza: il sovrano, infatti, gli sovvenziona prima gli studi alla scuola di Slagelse, così come due viaggi a giro per l’Europa. Andersen esordisce nel 1827 come poeta, ma nel corso della sua lunga vita approccerà i più svariati generi: dal romanzo al vaudeville, passando per il melodramma e la satira. È però con le fiabe, scritte a fasi alterne fra il 1835 e il 1872, che ottiene una fama davvero solida e internazionale. Fra le molte altre opere da lui scritte, si possono citare "L’improvvisatore" (1835) e "Viaggio a piedi dal canale di Holmen alla punta orientale di Amager" (1828).

"Barbablù" è senz’altro una delle fiabe più celebri, fra quelle trascritte da Charles Perrault, ma anche una fra le più cupe. Pubblicata per la prima volta in "I racconti di Mamma Oca" (1697), questa narra la vicenda del ricchissimo Barbablù, uomo sposatosi già sei volte che ottiene in sposa la giovane protagonista. Circondata dallo sfarzo e dal lusso, la nuova moglie è obbligata da Barbablù a promettergli che, in sua assenza, non metterà assolutamente piede nell’unica stanza proibita del castello. Quello che, infine, un giorno scoprirà la giovane, contravvenendo al minaccioso ordine del marito, sarà terribile...Charles Perrault (1628-1703) nasce a Parigi da un’altolocata famiglia borghese. Avviato ai migliori studi, segue le orme paterne e si laurea in Legge, trovando ben presto lavoro in ambito statale. Intellettuale fra i più attivi, nella vitale epoca di Luigi XIV, nel 1663 contribuisce alla fondazione dell’Académie des inscriptions et belles-lettres, distinguendosi inoltre come vivo fautore della letteratura moderna contro lo strapotere – ancora vigente – degli autori classici. Nel 1678, rimasto vedovo e dovendosi occupare di ben cinque bambini, decide di scrivere delle fiabe a sfondo morale, così da dare ai giovanissimi figli dei facili ma al contempo stimolanti insegnamenti. È così che nasce "I racconti di Mamma Oca", apprezzatissimo fin dalla sua prima pubblicazione. Il capolavoro di Perrault, pur basandosi in larga parte su materiale folklorico e, quindi, non originale, elabora alcune idee che hanno assunto nel tempo il valore di autentici archetipi (come, per citare solo un esempio, la scarpetta di cristallo in "Cenerentola").

"Il baule volante", pubblicata per la prima volta nel 1839, è una delle fiabe più particolari di tutta la produzione di Hans Christian Andersen. Ispirata alle atmosfere orientaleggianti de "Le mille e una notte", la storia narra la vicenda di un giovane che, dopo aver sperperato tutto il proprio denaro in cose futili, si ritrova praticamente a vivere dentro un baule regalatogli da un amico. Questo, però, non è ciò che sembra: si tratta infatti di un oggetto magico, capace di trasportare il giovane in volo fin nella lontana terra dove vivono i Turchi, dando inizio a una serie infinita di avventure!Hans Christian Andersen (1805-1875) è stato uno scrittore, poeta e artista danese. È celebre la sua letteratura per bambini; tra le sue fiabe più amate si citano "I vestiti nuovi dell’imperatore", "La sirenetta", "L'usignuolo", "Il soldatino di stagno", "La regina delle nevi", "Il brutto anitroccolo" e "La piccola fiammiferaia". I suoi libri sono stati tradotti in tutte le lingue viventi del mondo e al giorno d’oggi non c’è bambino o adulto che non abbia avuto modo di conoscere gli estrosi personaggi di Andersen. Le sue fiabe sono state il soggetto di infiniti adattamenti per il teatro e per il cinema, soprattutto da parte della Disney con i film d’animazione "La sirenetta" del 1989 e "Frozen", liberamente tratto da "La regina delle nevi", del 2013.Grazie all’enorme contributo dato da Andersen alla letteratura per l’infanzia, nel 2 aprile, giorno del suo compleanno, si celebra la Giornata internazionale del libro per bambini.

"Il brutto anatroccolo", pubblicata originariamente nel 1843, è certamente fra le fiabe più note al mondo e non solo fra quelle scritte dal grande Hans Christian Andersen! Con una morale semplice ma sempre attuale, questa fiaba invita tutti a non temere di essere giudicati diversi, ma, anzi, ad andare fieri delle proprie peculiarità. Letta da Francesca Sarah Toich, "Il brutto anatroccolo" è un classico che merita sempre di essere riascoltato.Hans Christian Andersen (1805-1875) nasce a Odense da una famiglia poverissima, ma esprime fin dalla prima infanzia un profondo interesse per il teatro e per le leggende tradizionali. A quattordici anni si reca a Copenaghen, dove fa i lavori più disparati coltivando il sogno di diventare attore. Sarà l’incontro fortuito con il re di Danimarca, Federico VI, a cambiare per sempre il corso della sua esistenza: il sovrano, infatti, gli sovvenziona prima gli studi alla scuola di Slagelse, così come due viaggi a giro per l’Europa. Andersen esordisce nel 1827 come poeta, ma nel corso della sua lunga vita approccerà i più svariati generi: dal romanzo al vaudeville, passando per il melodramma e la satira. È però con le fiabe, scritte a fasi alterne fra il 1835 e il 1872, che ottiene una fama davvero solida e internazionale. Fra le molte altre opere da lui scritte, si possono citare "L’improvvisatore" (1835) e "Viaggio a piedi dal canale di Holmen alla punta orientale di Amager" (1828).

Umili venditrici di fiammiferi, bambine che vanno a trovare la nonna e principesse rinchiuse in una torre o sottoposte a un malefico incantesimo: i più grandi autori di fiabe della tradizione europea – Perrault, Andersen e i fratelli Grimm – hanno raccontato i più vari personaggi femminili, offrendo alle giovani lettrici una gran quantità di storie su cui riflettere e imparare, ma anche commuoversi e, all’occorrenza, divertirsi.Alcune fra le loro fiabe più note, come "Cappuccetto rosso", "Le fate" e "Barbablù", sembrano quasi riprendere vita, quando lette da Francesca Sarah Toich, come a ricordarci che il fascino eterno di una fiaba necessita sempre di una voce, che sappia fare da ponte con chi ascolta.

Pubblicata per la prima volta nel 1848 (poco dopo l’incontro dell’autore con Charles Dickens, che sembra qui riecheggiare), "La piccola fiammiferaia" è senza dubbio una delle più celebri fiabe scritte da Hans Christian Andersen. La vicenda è cupa e triste, anche se animata dal solenne sentimento che la vita umana abbia sempre un valore inestimabile. Una bambina si trova per strada, la notte dell’ultimo dell’anno, cercando di vendere dei fiammiferi. Nonostante stia soffrendo un freddo terribile, la piccola fiammiferaia si ostina a provare, temendo di incorrere nelle ire paterne. Disperata, inizia a riscaldarsi coi fiammiferi, iniziando ad avere visioni di pace e spensieratezza che, purtroppo, nascondono un’amara verità. Impreziosito dalla voce di Francesca Sarah Toich, questo classico immortale non potrà lasciarvi indifferenti, trascinandovi nell’immaginario dolceamaro del più grande scrittore danese di sempre.Hans Christian Andersen (1805-1875) nasce a Odense da una famiglia poverissima, ma esprime fin dalla prima infanzia un profondo interesse per il teatro e per le leggende tradizionali. A quattordici anni si reca a Copenaghen, dove fa i lavori più disparati coltivando il sogno di diventare attore. Sarà l’incontro fortuito col re di Danimarca, Federico VI, a cambiare per sempre il corso della sua esistenza: il sovrano, infatti, gli sovvenziona prima gli studi alla scuola di Slagelse, così come due viaggi a giro per l’Europa. Andersen esordisce nel 1827 come poeta, ma nel corso della sua lunga vita approccerà i più svariati generi: dal romanzo al vaudeville, passando per il melodramma e la satira. È però con le fiabe, scritte a fasi alterne fra il 1835 e il 1872, che ottiene una fama davvero solida e internazionale. Fra le molte altre opere da lui scritte, si possono citare "L’improvvisatore" (1835) e "Viaggio a piedi dal canale di Holmen alla punta orientale di Amager" (1828).

"L’acciarino magico", pubblicata originariamente nel 1835, è una delle prime fiabe scritte da Hans Christian Andersen. La storia narra dell’avventurosa vicenda di un soldato estremamente povero che, in seguito all'incontro con una strega, ottiene un numero impressionante di monete, insieme a un misterioso acciarino. Come presto sarà chiaro, questo piccolo oggetto nasconde, in realtà, poteri magici che aiuteranno il soldato ad avverare ogni suo desiderio...Hans Christian Andersen (1805-1875) nasce a Odense da una famiglia poverissima, ma esprime fin dalla prima infanzia un profondo interesse per il teatro e per le leggende tradizionali. A quattordici anni si reca a Copenaghen, dove fa i lavori più disparati coltivando il sogno di diventare attore. Sarà l’incontro fortuito col re di Danimarca, Federico VI, a cambiare per sempre il corso della sua esistenza: il sovrano, infatti, gli sovvenziona prima gli studi alla scuola di Slagelse, così come due viaggi a giro per l’Europa. Andersen esordisce nel 1827 come poeta, ma nel corso della sua lunga vita approccerà i più svariati generi: dal romanzo al vaudeville, passando per il melodramma e la satira. È però con le fiabe, scritte a fasi alterne fra il 1835 e il 1872, che ottiene una fama davvero solida e internazionale. Fra le molte altre opere da lui scritte, si possono citare "L’improvvisatore" (1835) e "Viaggio a piedi dal canale di Holmen alla punta orientale di Amager" (1828).

"Cappuccetto rosso" è senza dubbio una delle storie più conosciute dell’intera tradizione europea. Della fiaba esistono moltissime varianti, di cui le più note sono quella dei fratelli Grimm (1857) e, ovviamente, la presente versione di Charles Perrault, pubblicata per la prima volta in "I racconti di Mamma Oca" del 1697. La piccola Cappuccetto Rosso viene incaricata dalla mamma di portare alla vecchia nonna un cestino di cose buone da mangiare. Peccato, però, che strada facendo la bambina incappi nel temibile lupo, che riesce a farsi rivelare dove abita la nonna e che metterà entrambe in serio pericolo. Un classico senza tempo, che merita di essere letto e riletto o, in questo caso, riascoltato.Charles Perrault (1628-1703) nasce a Parigi da un’altolocata famiglia borghese. Avviato ai migliori studi, segue le orme paterne e si laurea in Legge, trovando ben presto lavoro in ambito statale. Intellettuale fra i più attivi nella vivace epoca di Luigi XIV, nel 1663 contribuisce alla fondazione dell’Académie des inscriptions et belles-lettres, distinguendosi inoltre come vivo fautore della letteratura moderna contro lo strapotere – ancora vigente – degli autori classici. Nel 1678, rimasto vedovo e dovendosi occupare di ben cinque bambini, decide di scrivere delle fiabe a sfondo morale, così da dare ai giovanissimi figli dei facili, ma al contempo stimolanti, insegnamenti. È così che nasce "I racconti di Mamma Oca", apprezzatissimo fin dalla sua prima pubblicazione. Il capolavoro di Perrault, pur basandosi in larga parte su materiale folkloristico e quindi non originale, elabora alcune idee che hanno assunto nel tempo il valore di autentici archetipi (come, per citare solo un esempio, la scarpetta di cristallo in "Cenerentola").

Difficile resistere al fascino eterno delle fiabe di Hans Christian Andersen: di queste, infatti, sono moltissime le storie che si sono assicurate un posto fisso nel cuore di tutti quei bambini che semplicemente amano i bei racconti. Quale migliore occasione, quindi, per rivivere la propria infanzia o far scoprire questo mondo narrativo ai propri bambini? In questa raccolta – arricchita dalla voce di Francesca Sarah Toich – compaiono molti dei classici che hanno reso Andersen celebre in tutto il mondo: "Il brutto anatroccolo", "La piccola fiammiferaia", "L’uomo di neve" e molti altri racconti che non necessitano di alcuna presentazione.Hans Christian Andersen (1805-1875) è stato uno scrittore, poeta e artista danese. È celebre la sua letteratura per bambini; tra le sue fiabe più amate si citano "I vestiti nuovi dell’imperatore", "La sirenetta", "L'usignuolo", "Il soldatino di stagno", "La regina delle nevi", "Il brutto anitroccolo" e "La piccola fiammiferaia". I suoi libri sono stati tradotti in tutte le lingue viventi del mondo e al giorno d’oggi non c’è bambino o adulto che non abbia avuto modo di conoscere gli estrosi personaggi di Andersen. Le sue fiabe sono state il soggetto di infiniti adattamenti per il teatro e per il cinema, soprattutto da parte della Disney con i film d’animazione "La sirenetta" del 1989 e "Frozen", liberamente tratto da "La regina delle nevi", del 2013.Grazie all’enorme contributo dato da Andersen alla letteratura per l’infanzia, nel 2 aprile, giorno del suo compleanno, si celebra la Giornata internazionale del libro per bambini.

Da che mondo è mondo, ogni fiaba che si rispetti deve avere una propria ben precisa morale. È un aspetto che rientra nella natura stessa del genere: storie brevi, incisive, ma al contempo semplici e portatrici di un messaggio facilmente decodificabile (anche e soprattutto per i bambini!). I grandi maestri europei della fiaba, come Perrault e i fratelli Grimm, lo hanno sempre tenuto ben a mente. È probabilmente per questo che ancora oggi, a distanza di due o tre secoli dalla stesura di questi racconti, torniamo a rileggere – o a riascoltare – capolavori indiscussi come "Il gatto con gli stivali", "Cappuccetto rosso" e "Barbablù": non solo per provare quel brivido piacevole che ogni essere umano trae sempre da una storia ben raccontata, ma anche per vedere confermate le nostre paure, i nostri timori e imparare, così, ad affrontare meglio le sfide della vita.

Pubblicata per la prima volta in "I racconti di Mamma Oca" (1697), "Pollicino" è una delle fiabe più conosciute e apprezzate di Charles Perrault. In un villaggio afflitto dalla povertà, Pollicino e i suoi fratelli vengono abbandonati nel bosco dai genitori. Sarà compito del protagonista salvare la vita di se stesso e degli altri, anche a costo di affrontare un Orco cattivo col solo uso dell’astuzia. Grazie alla propria intelligenza e ad un paio di stivali molto particolari, Pollicino vedrà le proprie speranze premiate.Resa in modo perfetto dalla lettura di Francesca Sarah Toich, questa storia immortale non mancherà di conquistare ancora oggi uno stuolo di ammiratori, sia fra i bambini che – perché no –fra gli adulti.Charles Perrault (1628-1703) nasce a Parigi da un’altolocata famiglia borghese. Avviato ai migliori studi, segue le orme paterne e si laurea in Legge, trovando ben presto lavoro in ambito statale. Intellettuale fra i più attivi nella vivace epoca di Luigi XIV, nel 1663 contribuisce alla fondazione dell’Académie des inscriptions et belles-lettres, distinguendosi inoltre come vivo fautore della letteratura moderna contro lo strapotere – ancora vigente – degli autori classici. Nel 1678, rimasto vedovo e dovendosi occupare di ben cinque bambini, decide di scrivere delle fiabe a sfondo morale, così da dare ai giovanissimi figli dei facili, ma al contempo stimolanti, insegnamenti. È così che nasce "I racconti di Mamma Oca", apprezzatissimo fin dalla sua prima pubblicazione. Il capolavoro di Perrault, pur basandosi in larga parte su materiale folkloristico e quindi non originale, elabora alcune idee che hanno assunto nel tempo il valore di autentici archetipi (come, per citare solo un esempio, la scarpetta di cristallo in "Cenerentola").

Step into the shoes of the iconic figure from Swiss folklore William Tell. Known for his exceptional archery skills and unwavering spirit, we follow his extraordinary journey as he defies tyranny and fights for freedom.From the fabled apple-shooting incident to his daring acts of defiance, this captivating narrative will transport you to a time of courage and resilience. Brace yourself for an epic adventure that will leave you inspired and in awe of this legendary Swiss hero.

Ten mythological heroes and stories from Greek mythology, for a delightful overview of the fundamentals of our culture. This is a selection of the most touching and inspiring stories from Ancient Greece; they have all inspired countless works of art through the centuries, often come from even more ancient myths, and are here retold in a detailed and lively manner. This selection contains: The myth of Apollo and Daphne, about the revenge of the cruel god Eros on Apollo; Atalanta, the story of the swiftest runner who ever was; Echo and Narcissus, about a nymph who angered a god; Endymion, a shepherd whose beauty made the goddess Diana fall in love; Icarus, this ageless story of failure at the hands of pride; King Midas, the famous cautionary tale; Orpheus and Eurydice, the ultimate tragic love story and one of the most famous Greek myths; Phaeton, a similar story to that of Icarus about the pride of wanting to be like a god; Pygmalion, a sculptor so skilled he fell in love with one of his creations; and the death of Adonis, one of Greece's most touching stories, in which a goddess hopelessly falls in love with a man whose sole passion is hunting.

The Twelve Labours of Hercules are a series of feats ordered by the gods carried out by Heracles, the greatest of the Greek heroes, whose name was later Romanised as Hercules. The legend was first written whole, as a fixed cycle of twelve labours, in an epic Greek poem now lost, in about 600BC; as they survive in the original source, the labours are not all recounted in a single place, but must be reassembled from many sources. This short story is a retelling of Hercules' legend with an elegant style that will edify children and adults alike: why Hercules came to be ordered these twelve tasks by the gods and the treachery surrounding them, what seemingly impossible trials he had to go through and the clever solutions he found each time.

The death of Adonis is a fundamental part of Greek mythology and one of its most touching stories. Accidentally wounded by one of Eros' arrows, the goddess Aphrodite desperately falls in love with the handsome Adonis, son of a King and a beauty among mortals. Yet his only passion is hunting, and he refuses to take her warnings seriously when he hears about a great boar he would love to slay. There is something of the idea of coming of age in this tale, when the moment of realisation brings forth the understanding of what could have been and where the real beauty lays. This short story is a retelling of the ancient myth, in great detail and with an elegant style that will edify children and adults alike.

The myth of Echo and Narcissus appears in Ovid's Metamorphoses, a Latin mythological epic from the Augustan Age. It is one of the most touching stories ever written, and has inspired countless works of art through the centuries. The nymph Echo angers Hera, queen of the gods, who curses her: henceforth, Echo will only be able to repeat the last words that struck her ears. One day, the beautiful Narcissus, son of a nymph and a river god, passes through the forest...

An oriental philosophical tale, ´Zadig´ traces the adventures of the titular character, a man renowned for his 'just and moderate mind' and 'sincere and noble heart'. But his gifts give rise to jealousies in others that expose him to the vagaries of fate...Appointed prime minister, then disgraced and driven out of Babylon, Zadig, like all the heroes of fairy tales, is drawn into an initiatory journey that will take him from the banks of the Euphrates to Egypt; reduced to slavery, then freed by his master, he will cross Arabia and Syria. Faced with a thousand obstacles that put his reason and his optimism to the test, Zadig discovers that it is not easy to be happy.With this book, Voltaire, faithful to his theological concerns, poses the problem of evil and Providence, as he traces the life of this character who will come to say: 'that there is no evil from which good is not born.'´Zadig´ is perfect for fans of Voltaire's ´Candide´.Voltaire (1694-1778) is a renowned writer and philosopher. A universal spirit who marked the century of the "Enlightenment" and a fierce defender of individual freedom and tolerance, Voltaire was very successful with the liberal bourgeoisie.He left behind a great legacy. Due to censorship, most of his writings were banned. They were published anonymously, printed abroad and smuggled into France.

C'era una volta una bella ragazza di nome Raperonzolo, che aveva avuto un'infanzia magnifica. Quando compì 12 anni, un'incantatrice chiuse Raperonzolo in un'alta torre senza porte né scale. La povera ragazza non poteva uscire, e solo l'incantatrice le poteva far visita. Come? Arrampicandosi sulla torre grazie ai lunghi capelli di Raperonzolo. Un giorno un principe azzurro passò vicino alla torre e intravide Raperonzolo. Riuscirà il principe a salvare la ragazza o verrà fermato dall'incantatrice? Bambini e adulti, immergetevi nel mondo dei fratelli Grimm, tra racconti popolari e leggende! Venite a scoprire i racconti meno conosciuti e a rileggere i classici più preziosi, tutti raccolti in questa collezione di 53 fiabe.I fratelli Grimm sono probabilmente i cantastorie più conosciuti al mondo. Tra le loro fiabe più famose possiamo trovare "Cenerentola", "La Bella e la Bestia" e "Cappuccetto Rosso" e non c'è quasi nessuno che non sia cresciuto con le avventure di Hansel e Gretel, Raperonzolo e Biancaneve.L'eccezionale eredità letteraria di Jacob e Wilhelm Grimm è costituita da racconti popolari e dal leggende tedesche ed europee. Le loro collezioni sono state tradotte in tutte le lingue europee nel corso della loro vita e in ogni lingua vivente oggi.

Phèdre aime le fils de son époux - Hippolyte. Une rumeur circule: Thésée, le roi d'Athènes est mort. Mais il est déjà trop tard. Avant d'avoir eu vent de la vérité, Phèdre s'est livrée tout entière à l'ivresse d'une passion aveugle. Thésée sait tout, et Hippolyte en aime une autre.Un modèle classique de la tragédie, «Phèdre» illustre la violence de l'abandon passionné - l'absence de raison en l'amour interdit.Jean Racine (1639-1699) est un dramaturge et poète français. Orphelin et destiné à la religion, il préfère la littérature. En 1665, «Alexandre le Grand» est un incroyable succès. Il est rapidement remarqué par Louis XIV. Racine entretient une relation tendue avec Molière, lui aussi à la cour. Suite à «Phèdre» en 1677, et des disputes, il abandonne peu à peu le théâtre, à regret, pour se livrer à l'historiographie. Ses dernière pièces ( «Esther», 1688, et «Athalie», 1691) sont quant à elles commandées par la femme du Roi.

The prince of the Black Isles and the inhabitants of his city have suffered under the magical power of his cousin, whom he married not knowing she was an enchantress—until the sultan from "The Story of the Vizir Who Was Punished" comes to the prince’s aid. Completing the cycle of tales that began with "The Story of the Fisherman", this is the eighth of 34 tales in the classic "Arabian Nights" collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

An old man leads a deer that appears completely tame; stranger still, he claims that it is really his wife. Nor is she the first of his household to have been turned into an animal: her current state is poetic justice for her own jealous actions. A story of magic and metamorphosis, "The Story of the First Old Man and of the Hind" is the third of 34 tales in the classic Arabian Nights collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

Palace intrigues abound in the story of the first calender, a wandering Sufi of royal birth: on a visit to his uncle’s kingdom, the young prince is sworn to secrecy by his cousin, who then disappears; on his return home, he finds that his father has been overthrown by the grand-vizir, who harbours a special grudge against the prince. The mystery of his cousin’s disappearance and his escape from the treacherous vizir are revealed in this, the eleventh of 34 tales in the classic "Arabian Nights" collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

The Arabian Nights is an exotic collection of stories that will grab your attention from the very first page. At the heart of the collection is Scheherazade, the bride of Schahriar, Sultan of Persia. The jealous sultan marries a new girl every evening, and has her executed the following morning – until Scheherazade decides to put a stop to his cruelty, and volunteers to marry him. As clever as she is courageous, night after night Scheherazade distracts the Sultan with tales that keep him listening, and her alive, until he falls in love with her.This classic selection presents the best-loved stories from the Arabian Nights, translated into English and introduced by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

When a wandering physician named Douban cures a Greek king of his leprosy, he inspires murderous jealousy in the king’s vizir, leading the king to tell a cautionary tale of his own. A story within "The Story of The Fisherman", this is the sixth of 34 tales in the classic "Arabian Nights" collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

A beautiful lady asked the porter in our story to carry her things home. The porter agreed and he was invited to stay for the night but on one condition – he was not supposed to speak of that which did not concern him. It was then things took a strange turn. Three Persian Calenders came as well. Later on, the vizir joined the group. One of the ladies began singing, the other one fainted. Some slaves were brought inside, and they had to kill the guests. Do you think the porter managed to keep his promise? Find out what actually happened in "The Story of the Three Calenders, Sons of Kings, and of Five Ladies of Bagdad".This is the tenth of the 34 tales in the classical "Arabian Nights" collection, translated into English by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

The second wandering Sufi tells how, as a young prince, he set off to visit the Sultan of the Indies, but never arrived. Instead, his adventures led him through danger, poverty, a secret palace, and into the clutches of a terrible genie, from which only his storytelling might save him. Continue the adventures of the three one-eyed calenders in this, the twelfth of 34 tales in the classic "Arabian Nights" collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

The story of the third calender is as packed with mysteries and adventures as the tales of Sinbad the Sailor: after surviving shipwreck, the young prince finds that friendship leads him to a series of ordeals that not only wound him physically, but also force him to recognise his helplessness in the face of fate and human weakness. This tragic story brings Scheherazade’s third narrative cycle to a conclusion, in the fourteenth of 34 tales in the classic "Arabian Nights" collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

A jealous husband gives his wife a talking parrot as a gift—but if you remember Gilbert Gottfried as Iago in Disney's animated Aladdin, you'll have an idea what to expect! Now the wife must somehow bamboozle the bird and outwit her husband. A story within "The Story of the Greek King and the Physician Douban", this is the seventh of 34 tales in the classic "Arabian Nights" collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

An old man explains that his two black dogs are really his two brothers, whom he repeatedly saved from poverty. When he married a beautiful woman, however, all his kindnesses were forgotten, and his brothers tried to kill them. Yet the merchant’s wife was not what she seemed, as the murderous brothers would soon find out. A story of brotherly love betrayed and revenged, "The Story of the Second Old Man, and of the Two Black Dogs" is the fourth of 34 tales in the classic "Arabian Nights" collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.

Readers familiar with the friendly blue genie in Disney’s Aladdin films may be shocked to discover a crueller kind in Scheherazade’s first tale. When a merchant accidentally kills the son of a genie, the spirit swears to kill him in revenge, but grants him a year’s reprieve to say his goodbyes. Yet when the merchant returns on the appointed day, he meets three old men, who have a plan to avert his death. Listen as tale leads into tale in "The Story of the Merchant and the Genius", the second of 34 tales in the classic Arabian Nights collection translated by Andrew Lang.A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Marcel Proust and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come.This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.